Art

Here are some of Martin's recent paintings. Click on any image to view a larger version.

Details on the True Story prints are below.


Sunday 4pm painting

Sunday 4pm

Size: 37" w by 42" h

Medium: Oil, on board


Manitoba Maple painting

Manitoba Maple

Size: 30" w by 30" h

Medium: Oil over Casein, on board


Two Swallows 2 painting

Two Swallows 2

Size: 24" w by 24" h

Medium: Oil, on board


Two Swallows painting

Two Swallows

Size: 24" w by 24" h

Medium: Oil over Casein, on board

Sold


Tom Connors painting

Tom Connors

Size: 36" w by 48" h

Medium: Oil over Casein, on board


Lemon Cottage painting

Lemon Cottage

Size: 12" w by 9" h

Medium: Oil over Casein, on board

Sold


Lanark County painting

Lanark County

Size: 48" w by 48" h

Medium: Oil over Casein, on board

Sold


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True Story Prints

Martin's “True Story” painting is available as a limited edition fine art print.
Read more about the painting below.

True Story print

True Story Print
Print (paper) size: 22" w by 28" h
Image size: 18" w by 18" h
Limited edition print (100 only)
Signed and numbered
on archival watercolour paper
Unframed
Price: $120.00
Plus shipping where applicable.

Click on the poster to view a larger image.

To order a print, email info@martintielli.ca.


“This painting evolved from pictures I did for Melissa McClelland's album Thumbelina's One Night Stand. It started as collaged drawings glued to board, followed by watercolour, gouache and ink, and then finally oils. It lived with me for many years and is very thick and worked over. At one point it was almost black. It's a record of, and a tribute to, a place and time that doesn't exist anymore. Ashtrays, not cellphones.

The Inter-Steer has been my living room since the mid-90s. An affordable place on Roncesvalles where I would not run into any fellow musicians. A Polish bar haunted by people of all ages. It is a strange thing to me that, particularly in North America, people of different vintages generally don't commingle voluntarily. It was immediately more comfortable to me because it was less polite and more straight up than most places in Toronto, and in this reminded me of my hometown in Italy: tough but fair, accommodating and a little outside of the law. In long periods when I had NO money, imaginary (credit) or otherwise, Eva (pictured in the painting) would kindly float me and I am forever indebted to her. A big Kolbassa on a plate with bread, sliced cucumbers and tomatoes.

What started as a place I went to be alone (I wrote many a song there) slowly became a meeting place and the focal point of many friendships and foggy adventures. The vortex. Many strange coincidences.

One night somewhere around the turn of the century I was sitting by the front window nursing a Zywiec and probably contemplating a shot of Krupnik. Over my friend's shoulder I saw a dark shape low down on the sidewalk outside. It was a Beaver. A full grown Beaver. I declared this to the bar - to blank stares. “There's a huge Beaver on Roncesvalles!” What do you say?

None of the appropriate animal institutions would deal with our Beaver as it wasn't injured... yet. I followed it all the way out towards Dundas and wished him/her farewell.

True story.”

- MRT

Note: The new Inter-Steer Tavern opened a few doors down from the original location in 2007. The painting hangs beside the bar there, at 357 Roncesvalles Ave, Toronto.


Updated November 18, 2014.